Difference between revisions of "Main Page"
From Commonplace Book
(→Projects) |
|||
| (65 intermediate revisions by the same user not shown) | |||
| Line 1: | Line 1: | ||
| − | This is an online commonplace book for [http://mattpoland.net Matt Poland]. You're welcome to use these notes and reading lists to guide you in your own studies. If you have any questions about your rights as a user, please review the [https://creativecommons.org/licenses/by-nc-sa/4.0/ Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License] which covers any original work produced herein. | + | This is an online commonplace book for [http://mattpoland.net Matt Poland], compiled for my PhD comprehensive exam. You're welcome to use these notes and reading lists to guide you in your own studies. If you have any questions about your rights as a user, please review the [https://creativecommons.org/licenses/by-nc-sa/4.0/ Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License] which covers any original work produced herein. |
| + | |||
| + | Import from Nov 18; links from June 18 | ||
[[Special:AllPages|AllPages]] | [[Special:AllPages|AllPages]] | ||
[[Wiki Syntax Guide]] | [[Wiki Syntax Guide]] | ||
| + | |||
| + | =Events/Conferences= | ||
| + | *[[NAVSA Anti-Racism Panel]] - August 2020 | ||
| + | *[[Dickens Universe - "Frances E.W. Harper in Transatlantic Context"]] - July 2020 | ||
| + | *[[Dickens Universe Anti-Racist Pedagogy Panel - "Toppling Statues: Teaching Victorian Literature in 2020" - July 2020]] | ||
| + | *[[Roger Chartier TDS Seminar/Lecture]] - March 2018 | ||
| + | *[[V21 Summer 2018]] - Sept 2018, UW | ||
| + | *[[V21 Summer 2017]] - Sept 2017, Seattle U | ||
| + | *[[BAVS 2017 Notes|BAVS 2017]] - August 2017, Lincoln | ||
| + | *[[Rachel Buurma DH Seminar]] - TDS Spring 2017 | ||
| + | |||
| + | =Teaching= | ||
| + | *[[Figurative language]] | ||
| + | *[[Strategic presentism]] | ||
= Exam Reading = | = Exam Reading = | ||
| Line 10: | Line 26: | ||
===Primary Fiction=== | ===Primary Fiction=== | ||
*[[Kenilworth (Walter Scott, 1821)]] | *[[Kenilworth (Walter Scott, 1821)]] | ||
| + | *[[Jane Eyre (Charlotte Brontë, 1847)]] | ||
*[[Wuthering Heights (Emily Brontë, 1847)]] | *[[Wuthering Heights (Emily Brontë, 1847)]] | ||
*[[David Copperfield (Dickens, 1850)]] | *[[David Copperfield (Dickens, 1850)]] | ||
| Line 18: | Line 35: | ||
*[[Cranford (Gaskell, 1853)]] | *[[Cranford (Gaskell, 1853)]] | ||
*[[North and South (Gaskell, 1855)]] | *[[North and South (Gaskell, 1855)]] | ||
| + | *[[The Warden (Trollope, 1855)]] | ||
*[[Tale of Two Cities (1859)]] | *[[Tale of Two Cities (1859)]] | ||
*[[The Mill on the Floss (1860)]] | *[[The Mill on the Floss (1860)]] | ||
| Line 23: | Line 41: | ||
*[[Great Expectations (Dickens, 1861)]] | *[[Great Expectations (Dickens, 1861)]] | ||
*[[Framley Parsonage (Anthony Trollope, 1861)]] | *[[Framley Parsonage (Anthony Trollope, 1861)]] | ||
| + | *[[Silas Marner (Eliot, 1861)]] | ||
*[[Lady Audley's Secret (ME Braddon, 1862)]] | *[[Lady Audley's Secret (ME Braddon, 1862)]] | ||
*[[Our Mutual Friend (Dickens, 1865)]] | *[[Our Mutual Friend (Dickens, 1865)]] | ||
| Line 30: | Line 49: | ||
*[[The Story of an African Farm (1883)]] | *[[The Story of an African Farm (1883)]] | ||
*[[Sherlock Holmes (Arthur Conan Doyle, 1887-1927)]] | *[[Sherlock Holmes (Arthur Conan Doyle, 1887-1927)]] | ||
| + | *[[Mayor of Casterbridge (Hardy, 1886)]] | ||
*[[The Woodlanders (Thomas Hardy, 1887)]] | *[[The Woodlanders (Thomas Hardy, 1887)]] | ||
| + | *[[New Grub Street (Gissing, 1891)]] | ||
*[[Jude the Obscure (Hardy, 1895)]] | *[[Jude the Obscure (Hardy, 1895)]] | ||
*[[Dracula (Bram Stoker, 1897)]] | *[[Dracula (Bram Stoker, 1897)]] | ||
| Line 39: | Line 60: | ||
*[[Potential collections]] | *[[Potential collections]] | ||
* [[Matthew Arnold]] | * [[Matthew Arnold]] | ||
| − | * Elizabeth Barrett Browning | + | * [[Elizabeth Barrett Browning]] |
| − | * Robert Browning | + | * [[Robert Browning]] |
| − | |||
* Arthur Clough | * Arthur Clough | ||
| − | * | + | * [[Thomas Hardy]] |
| − | |||
* [[Felicia Hemans]] | * [[Felicia Hemans]] | ||
* [[Letitia Elizabeth Landon]] | * [[Letitia Elizabeth Landon]] | ||
* Gerard Manley Hopkins | * Gerard Manley Hopkins | ||
| − | * | + | * [[William Morris]] |
| − | + | * [[Christina Rossetti]] | |
| − | * Christina Rossetti | ||
* Algernon Swinburne | * Algernon Swinburne | ||
* [[Alfred Tennyson]] | * [[Alfred Tennyson]] | ||
| − | * James Thomson | + | * [[James Thomson]] |
===Secondary Texts=== | ===Secondary Texts=== | ||
| Line 62: | Line 80: | ||
==Methodology List== | ==Methodology List== | ||
| + | * [[Anderson 1983]] - Imagined Communities | ||
| + | * [[Beetham 1990]] - Towards a Theory of the Periodical as a Publishing Genre | ||
| + | * [[Blair 2010]] -- Too Much to Know | ||
| + | * [[Buurma 2013]] | ||
| + | * [[Cambridge History of Libraries]] in GB and Ireland | ||
| + | *[[Chartier 1994]] | ||
| + | * [[Dane 2012]] | ||
| + | * [[De Grazia & Stallybrass 1993]] - Materiality of the Shakespearean Text | ||
| + | * [[Eisenstein 1979]] | ||
| + | * [[Grafton 1980]] - Review of Eisenstein | ||
| + | * [[W.W. Greg]] | ||
| + | * [[Jackson 2001]] - Marginalia | ||
| + | * [[Jardine & Grafton 1990]] - Read for Action | ||
| + | * [[Knight 2013]] - Bound to Read | ||
| + | * [[Knight 2015]] - "Shakespeare and the Collection: Reading beyond Readers’ Marks." | ||
| + | *[[McGann 1991]] - The Textual Condition | ||
| + | * [[McGill 2013]] - | ||
| + | * [[McKerrow 1928]] | ||
| + | *[[Price 2000]] - Anthology | ||
| + | * [[PMLA 121_1]] - The History of the Book and the Idea of Literature | ||
| + | * [[Roberts 2006]] - Trafficking in Literary Authority: Mudie’s Select Library and the Commodification of the Victorian Novel | ||
| + | * [[St Clair 2004]] | ||
| + | * [[Suarez 2004]] - "Historiographical Problems and Possibilities in Book History and National Histories of the | ||
| + | Book" | ||
| + | * [[Suarez 2009]] - "Worldliness of Print" and "Mining the Archive" | ||
| + | * [[Sutherland 1976]] | ||
| + | * [[Turner 2010]] - "Companions, Supplements, and the Proliferation of Print in the 1830s" | ||
==Special Topic List== | ==Special Topic List== | ||
| + | * [[Black 2000]] - On Exhibit: Victorians and their Museums | ||
| + | * [[Hack 2005]] - Material Interests of the Vic Novel | ||
| + | * [[Cowan 2015]] - Translation, Collaboration, and Reception: Editing Caxton for the Kelmscott Press | ||
| + | * [[MacGregor 1997]] - Collectors, Connoisseurs and Curators in the Victorian Age | ||
| + | * [[McGann 1988]] - "Tennyson and the Histories of Criticism" | ||
*[[Piper 2009]] - Dreaming in Books | *[[Piper 2009]] - Dreaming in Books | ||
| + | *[[Turner 2005]] - Material Culture of the Victorian Novel | ||
| + | * [[Underwood 2013]] - Why Literary Periods Mattered | ||
= Projects = | = Projects = | ||
| Line 88: | Line 140: | ||
==Book History/Print Culture== | ==Book History/Print Culture== | ||
| + | *[[Calhoun 2011]] | ||
*[[Febvre & Martin 1958]] | *[[Febvre & Martin 1958]] | ||
*[[Fyfe 2012]] | *[[Fyfe 2012]] | ||
| Line 95: | Line 148: | ||
*[[Price 2012]] | *[[Price 2012]] | ||
*[[Sutherland 1976]] | *[[Sutherland 1976]] | ||
| + | *[[Taxes on knowledge]] | ||
| + | *[[Literacy]] | ||
==Collecting== | ==Collecting== | ||
| Line 107: | Line 162: | ||
*[[Cheadle 2017]] - "David Copperfield and Pendennis: Answering Back" | *[[Cheadle 2017]] - "David Copperfield and Pendennis: Answering Back" | ||
*[[Douglas-Fairhurst 2011]] - ''Becoming Dickens'' | *[[Douglas-Fairhurst 2011]] - ''Becoming Dickens'' | ||
| + | *[[Litvack 2015]] - Dickens’s annotated All the Year Round | ||
*[[Tyler 2013]] - ''Dickens's Style'' | *[[Tyler 2013]] - ''Dickens's Style'' | ||
| Line 124: | Line 180: | ||
* [[Felski 2011]] - "Context Stinks!" | * [[Felski 2011]] - "Context Stinks!" | ||
*[[Gilmour]] | *[[Gilmour]] | ||
| + | |||
| + | ==Information== | ||
| + | * [[Classic Information Science Texts]] | ||
==Intellectual History== | ==Intellectual History== | ||
*[[Anger 2005]] | *[[Anger 2005]] | ||
| + | * [[Burke 2000]] | ||
==Marxism== | ==Marxism== | ||
| Line 135: | Line 195: | ||
==Materiality== | ==Materiality== | ||
| + | * [[Chappell 2013]] Bleak House & Rubbish Theory | ||
*[[Freedgood 2006]] - ''The Ideas in Things'' | *[[Freedgood 2006]] - ''The Ideas in Things'' | ||
*[[Freedgood 2014]] - "Ghostly Reference" | *[[Freedgood 2014]] - "Ghostly Reference" | ||
| Line 151: | Line 212: | ||
==Realism== | ==Realism== | ||
| + | *[[Capuano 2013]] - Shirley | ||
| + | *[[Jameson 2013]] - Antinomies | ||
*[[Kornbluh 2015]] | *[[Kornbluh 2015]] | ||
| + | *[[Lukacs 1937]] - The Historical Novel | ||
==Misc== | ==Misc== | ||
| Line 158: | Line 222: | ||
*[[Misc Reading/Writing Passages]] | *[[Misc Reading/Writing Passages]] | ||
*[[Misc texts to get to]] | *[[Misc texts to get to]] | ||
| + | *[[Misc theorists to get to]] | ||
=Bibliographical= | =Bibliographical= | ||
| Line 163: | Line 228: | ||
*[[C19 Bookbinding Session]] (4/26/17) | *[[C19 Bookbinding Session]] (4/26/17) | ||
*[[Characteristics of C19 Rebindings]] (7/20/17) | *[[Characteristics of C19 Rebindings]] (7/20/17) | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
= Colophon = | = Colophon = | ||
This project was inspired by Whitney Trettien's [http://whitneyannetrettien.com/whiki/index.php?title=Main_Page Whiki]. | This project was inspired by Whitney Trettien's [http://whitneyannetrettien.com/whiki/index.php?title=Main_Page Whiki]. | ||
| − | The logo image is a detail of | + | The logo image is a detail of an illustration by James McBryde for M.R. James's [https://catalog.hathitrust.org/Record/100337874 ''Ghost Stories of an Antiquary''] (London: Edward Arnold, 1924). British Library 012630.b.1. |
Latest revision as of 13:15, 12 August 2020
This is an online commonplace book for Matt Poland, compiled for my PhD comprehensive exam. You're welcome to use these notes and reading lists to guide you in your own studies. If you have any questions about your rights as a user, please review the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License which covers any original work produced herein.
Import from Nov 18; links from June 18
Contents
- 1 Events/Conferences
- 2 Teaching
- 3 Exam Reading
- 4 Projects
- 5 Notes
- 5.1 C19 Periodicals
- 5.2 Bookbinding History
- 5.3 Book History/Print Culture
- 5.4 Collecting
- 5.5 Cultural Studies
- 5.6 Dickens
- 5.7 Ecocriticism
- 5.8 Empire/Colonialism
- 5.9 Historicism & General History
- 5.10 Information
- 5.11 Intellectual History
- 5.12 Marxism
- 5.13 Materiality
- 5.14 Media
- 5.15 Reading (History of)
- 5.16 Realism
- 5.17 Misc
- 6 Bibliographical
- 7 Colophon
Events/Conferences
- NAVSA Anti-Racism Panel - August 2020
- Dickens Universe - "Frances E.W. Harper in Transatlantic Context" - July 2020
- Dickens Universe Anti-Racist Pedagogy Panel - "Toppling Statues: Teaching Victorian Literature in 2020" - July 2020
- Roger Chartier TDS Seminar/Lecture - March 2018
- V21 Summer 2018 - Sept 2018, UW
- V21 Summer 2017 - Sept 2017, Seattle U
- BAVS 2017 - August 2017, Lincoln
- Rachel Buurma DH Seminar - TDS Spring 2017
Teaching
Exam Reading
Major Period List
Primary Fiction
- Kenilworth (Walter Scott, 1821)
- Jane Eyre (Charlotte Brontë, 1847)
- Wuthering Heights (Emily Brontë, 1847)
- David Copperfield (Dickens, 1850)
- Pendennis (Thackeray, 1850)
- Bleak House (1853)
- Dickens Journalism
- Villette (Charlotte Brontë, 1853)
- Cranford (Gaskell, 1853)
- North and South (Gaskell, 1855)
- The Warden (Trollope, 1855)
- Tale of Two Cities (1859)
- The Mill on the Floss (1860)
- Woman in White (Wilkie Collins, 1860)
- Great Expectations (Dickens, 1861)
- Framley Parsonage (Anthony Trollope, 1861)
- Silas Marner (Eliot, 1861)
- Lady Audley's Secret (ME Braddon, 1862)
- Our Mutual Friend (Dickens, 1865)
- Armadale (Collins, 1866)
- Middlemarch (Eliot, 1872)
- The Way We Live Now (Trollope, 1875)
- The Story of an African Farm (1883)
- Sherlock Holmes (Arthur Conan Doyle, 1887-1927)
- Mayor of Casterbridge (Hardy, 1886)
- The Woodlanders (Thomas Hardy, 1887)
- New Grub Street (Gissing, 1891)
- Jude the Obscure (Hardy, 1895)
- Dracula (Bram Stoker, 1897)
- Lord Jim (Joseph Conrad, 1900)
Primary Poetry
Unless otherwise noted from The Broadview Anthology of Victorian Poetry and Poetic Theory. Ed. Thomas J. Collins and Vivienne J. Rundle. Peterborough, Ontario: Broadview Press, 1999. Repr 2005. Print.
- Potential collections
- Matthew Arnold
- Elizabeth Barrett Browning
- Robert Browning
- Arthur Clough
- Thomas Hardy
- Felicia Hemans
- Letitia Elizabeth Landon
- Gerard Manley Hopkins
- William Morris
- Christina Rossetti
- Algernon Swinburne
- Alfred Tennyson
- James Thomson
Secondary Texts
- Armstrong 2005 - How Novels Think
- Armstrong 1993 - Victorian Poetry: Poetry, Poetics and Politics.
- Leighton 1992 - Victorian Women Poets: Writing Against the Heart
- Woloch 2003 - The One Vs. the Many
Methodology List
- Anderson 1983 - Imagined Communities
- Beetham 1990 - Towards a Theory of the Periodical as a Publishing Genre
- Blair 2010 -- Too Much to Know
- Buurma 2013
- Cambridge History of Libraries in GB and Ireland
- Chartier 1994
- Dane 2012
- De Grazia & Stallybrass 1993 - Materiality of the Shakespearean Text
- Eisenstein 1979
- Grafton 1980 - Review of Eisenstein
- W.W. Greg
- Jackson 2001 - Marginalia
- Jardine & Grafton 1990 - Read for Action
- Knight 2013 - Bound to Read
- Knight 2015 - "Shakespeare and the Collection: Reading beyond Readers’ Marks."
- McGann 1991 - The Textual Condition
- McGill 2013 -
- McKerrow 1928
- Price 2000 - Anthology
- PMLA 121_1 - The History of the Book and the Idea of Literature
- Roberts 2006 - Trafficking in Literary Authority: Mudie’s Select Library and the Commodification of the Victorian Novel
- St Clair 2004
- Suarez 2004 - "Historiographical Problems and Possibilities in Book History and National Histories of the
Book"
- Suarez 2009 - "Worldliness of Print" and "Mining the Archive"
- Sutherland 1976
- Turner 2010 - "Companions, Supplements, and the Proliferation of Print in the 1830s"
Special Topic List
- Black 2000 - On Exhibit: Victorians and their Museums
- Hack 2005 - Material Interests of the Vic Novel
- Cowan 2015 - Translation, Collaboration, and Reception: Editing Caxton for the Kelmscott Press
- MacGregor 1997 - Collectors, Connoisseurs and Curators in the Victorian Age
- McGann 1988 - "Tennyson and the Histories of Criticism"
- Piper 2009 - Dreaming in Books
- Turner 2005 - Material Culture of the Victorian Novel
- Underwood 2013 - Why Literary Periods Mattered
Projects
- Periodized Bodies in Our Mutual Friend (RSVP 2018)
- Textual metaphors in realist method
- Victorian Novel Seminar Review Essay (Winter 2017)
- Shirley Seriality Project (Winter 2017)
- Victorian Waste/Obscene Book History (Fall 2016)
- Victorian Rebinding Notes (Spring 2016)
- Shakespeare Tercentenary RSVP (Fall 2015)
Notes
C19 Periodicals
Bookbinding History
Book History/Print Culture
- Calhoun 2011
- Febvre & Martin 1958
- Fyfe 2012
- Houston 2014
- Leckie 2015
- Miller 2013
- Price 2012
- Sutherland 1976
- Taxes on knowledge
- Literacy
Collecting
Cultural Studies
- McClintock 1995 - Imperial Leather
Dickens
- Bowen & Patten 2006 - Palgrave Advances in Dickens Studies
- Carey 1973 - The Violent Effigy: A Study of Dickens' Imagination
- Cheadle 2017 - "David Copperfield and Pendennis: Answering Back"
- Douglas-Fairhurst 2011 - Becoming Dickens
- Litvack 2015 - Dickens’s annotated All the Year Round
- Tyler 2013 - Dickens's Style
Ecocriticism
Empire/Colonialism
Historicism & General History
- Bowen 2009 - "Time for Victorian Studies?"
- Flanders 2012 - The Victorian City
- Felski 2011 - "Context Stinks!"
- Gilmour
Information
Intellectual History
Marxism
- Moretti 1983
- Sneidern 1995 - slavery complicating Marxist commodity in Wuthering Heights
- Williams 1977 - Marxism & Literature
- Wilson 1940
Materiality
- Chappell 2013 Bleak House & Rubbish Theory
- Freedgood 2006 - The Ideas in Things
- Freedgood 2014 - "Ghostly Reference"
- Schaffer 2011 - Novel Craft
- Wynne, Material Culture Oxford Bibliography
Media
- Wicke 1992 - Dracula and its Media
Reading (History of)
- Altick 1957 - English Common Reader
- Price 2000 - The Anthology and the Rise of the Novel
- Wynne 2011 - "Readers and Reading Practices" in Oxford History of the Novel in English...
- Pope Hennessy 1971 - biography of Trollope
- Primary Sources on Victorian Reading
Realism
- Capuano 2013 - Shirley
- Jameson 2013 - Antinomies
- Kornbluh 2015
- Lukacs 1937 - The Historical Novel
Misc
- Important Victorian Legislation
- List of Victorian publishers
- Misc Reading/Writing Passages
- Misc texts to get to
- Misc theorists to get to
Bibliographical
- Nineteenth Century Bibliography Session (2/17/17) - UW Special Collections resources for my research
- C19 Bookbinding Session (4/26/17)
- Characteristics of C19 Rebindings (7/20/17)
Colophon
This project was inspired by Whitney Trettien's Whiki.
The logo image is a detail of an illustration by James McBryde for M.R. James's Ghost Stories of an Antiquary (London: Edward Arnold, 1924). British Library 012630.b.1.
