Difference between revisions of "Villette (Charlotte Brontë, 1853)"
From Commonplace Book
(→Vol II) |
(→Vol II) |
||
Line 41: | Line 41: | ||
*255-6 moving description of the affective experience of anxiety (what she calls Reason Freud would've call the superego) | *255-6 moving description of the affective experience of anxiety (what she calls Reason Freud would've call the superego) | ||
*273 LS Sees the ghost of the nun after reading John's letter | *273 LS Sees the ghost of the nun after reading John's letter | ||
+ | *277 "material terrors" | ||
==Theme Tracking== | ==Theme Tracking== |
Revision as of 12:58, 2 April 2017
Contents
General notes
Vol I
- 15 Lucy's "overheated and discursive imagination" vs Paulina
- Paulina's monomania - Nelly says heathcliff is a monomaniac in Wuthering
- 17 "cup did not foam up" when Paulina and father reunited --CB dampening melodramatic expectations as in first chapter of shirley
- 20 Graham to Paulina: "I reckon on being able to get out of you a little of that precious commodity called amusement"
- a pre Marxian sense, as Freedgood 2006 would say
- 23 graham threatening to cut up the engraving Paulina likes to light candles
- 34 race and missionary English identity in Paulina's book
- 38 "We should be friendly to all, and worship none."
- 39 "the nightmare"; metaphorizing her depression (?) as falling overboard
- 41 mourning dress - gradual revelation
- 42 second time she's mentioned "character study," first Paulina and now Mrs Marchmont
- 43 disease heralded by atmospheric change?
- 49 vision instigated by Aurora borealis
- 62 vision of Europe followed by school copybook disavowal
- 71 "fate and providence" leading her to Madame Beck's pensionnat
- 82-3 compare description of school and pedagogy to Lowood in Jane Eyre
- 96 serial character studies structure: Paulina, Marchmont, Beck, Ginevra
- 106 fate again with reconnecting to Dr John
- 107 "he laid himself open to my observation" -- narration as espionage, which is explicitly thematized or represented through Mdme Beck
- 117 ghost story about nun - gothic tale irruption -- connect to description of Beck as ghostly on her first night
- 118 another natural reverie
- 121 again her nervous sensitivity to weather
- 132 "complicated, disquieting thoughts" as a threat to her identity
- 173 her despair in the vacation, faced with open time and abandoned space
- weather sensitivity again
- 177 ghostly white beds
- 178-80 LS's confession and rejection of Catholicism after
- 181 lost in villette "I got immeshed in a net-work of turns unknown" - early (?) use of this metaphor?
Vol II
- 185 direct continuation of reflecting on swoon she just narrated -- dissociation from her soul
- tangling image clusters together: hearing returns like thunder, "I should have understood what we call a ghost, as well as I did the commonest object"
- 186 really interesting that her dissociation is first externalizef thrrough object relations
- i 'fell on sleep' - derivation? And the untraced allusion on 167?
- 196 "I had preferred to keep the matter to myself" - unreliable narrator
- but why doesn't Mrs Bretton recognize her? Or does she and LS misrepresents it?*205 add SSRIs and you've got modern psychiatric treatment
- 220 john's original conversation preferred to "stealing from books"
- 222 ekphrastic reminder of nature contemplation from vol 1 in gallery
- 238 in describing the king hypochondria/melancholi/depression and its "ghostly" appearance connects that image cluster to that theme
- 255-6 moving description of the affective experience of anxiety (what she calls Reason Freud would've call the superego)
- 273 LS Sees the ghost of the nun after reading John's letter
- 277 "material terrors"
Theme Tracking
Reading/writing
Materiality
Shakespeare allusions
- 78 "the head and front of her [Mrs Sweeny] offending" Othello
- 116 "that hag disappointment...all hail" Macbeth greeted by witches
- 137 "pearl of great price" othello again
- 199 Graham/John "I am sure thereby hangs a tale" Taming of the Shrew
- 208 John says Mrs B reminds him of Titania when napping, she him of Bottom - Midsummer Night's Dream
- 260 Ginevra calls LS Timon, again 264, 271