Difference between revisions of "Schaffer 2011"
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*7: possibly too insistent on the oddness of Victorian handicraft, the difference that roots it in a particular cultural context, because that oddness is also part of its transtemporal power. A historicism between Schaffer and Felski. | *7: possibly too insistent on the oddness of Victorian handicraft, the difference that roots it in a particular cultural context, because that oddness is also part of its transtemporal power. A historicism between Schaffer and Felski. | ||
| + | ** a "counterpoint" to global theories, as she calls it on 15: eminently sensible | ||
| + | *14 handicraft as an important subgroup of [[Freedgood 2006|Freedgood's]] Thing culture | ||
| + | **other thing theory books: Plotz, Freedgood, Armstrong's Glassworlds, Bill Brown's Things, Lorraine Daston's Things that Talk | ||
Latest revision as of 16:08, 24 September 2017
Novel craft
- 7: possibly too insistent on the oddness of Victorian handicraft, the difference that roots it in a particular cultural context, because that oddness is also part of its transtemporal power. A historicism between Schaffer and Felski.
- a "counterpoint" to global theories, as she calls it on 15: eminently sensible
- 14 handicraft as an important subgroup of Freedgood's Thing culture
- other thing theory books: Plotz, Freedgood, Armstrong's Glassworlds, Bill Brown's Things, Lorraine Daston's Things that Talk
