Difference between revisions of "The Mill on the Floss (1860)"

From Commonplace Book
Jump to: navigation, search
(Theme tracking)
(environment)
Line 45: Line 45:
 
*13
 
*13
 
*14
 
*14
v15
+
*15
 +
 
 
===reading/writing===
 
===reading/writing===
 
*11
 
*11

Revision as of 19:37, 5 February 2017

Eliot, George. The Mill on the Floss. Pub. 1860. Ed. Gordon Haight and Juliette Atkinson. Oxford: World Classics, 2015.

General Notes

  • Set 1820s -- post napoleonic but pre 1832 reform act
  • 10: figurative language is puzzling
  • 12, 19, 30, 42, 80 descent/inheritance of traits
   * 37, 44, 82 speciation
   * 53 Gradations in civilization
   * 54 kin vs others
   * 57 Breeding/mixing blood
   * 68 deformity in the person of Philip Wakem
   * Persistent comparison of the children to animals of course because Darwin had broken down that barrier
   * Eliot read Origin while writing this
  • 13 foreshadowing
  • 15, 328 hotspur Shakespeare
   * 357 Sir Andrew
   * 464 pocket Shakespeare 
  • 17-18 reading Defoe
  • 24 metafictional/generic
  • 27: Maggie's fetish
  • 32 unmodifiable characters
  • 37 dignified alienation, species
  • 51-2 the Dodsons' retrograde gentility in the person of mrs Glegg
  • 53 how heavily they expect Tulliver to fail by discussing what would happen to Glwgg's money
  • 66 historical difference in religiosity
  • 106 the gypsy adventure is through Maggie's psychological geography as well
  • 160 metafictive
  • 252 again metafictive, obscure vitality, sordid, prosaic --> realism
  • Worldliness without side-dishes reminds me of bronte's lentils in Shirley
  • 253 there is nothing petty to the mind that has a large vision of relations
  • 267 thomas a kempis
  • 280 quite wise
  • 371 character is destiny - novalis (but later hardy in Mayor too)
  • 382 renunciation again
  • 442 Maggie reckoning with Stephen

Theme tracking

Tulliver and "puzzling" language (& other interesting uses of figurative/imaginative language)

  • 10
  • 15
  • 19

environment

  • 11
  • 13
  • 14
  • 15

reading/writing

  • 11
  • 15-17 Maggie showing off to Mr Riley
  • 19

femininity

  • 12
  • 13
  • 17
  • 19

materiality

  • 13
  • 18

narratorial intervention

  • 14
  • 19

labor/industrial spaces/economics

evolution/inheritance/Darwinian

  • 12, 19, 30, 42, 80 descent/inheritance of traits
  • 37, 44, 82 speciation
  • 53 Gradations in civilization
  • 54 kin vs others
  • 57 Breeding/mixing blood
  • 68 deformity in the person of Philip Wakem
  • Persistent comparison of the children to animals of course because Darwin had broken down that barrier
  • Eliot read Origin while writing this