Difference between revisions of "Middlemarch (Eliot, 1872)"

Revision as of 16:20, 21 September 2017

General

• set 1829-32, pre Reform Act
• 9 Eliot tweaking lazy physiognomy description in saying that Celia looks more worldly-wise than D
• 26-7 D's wonderful reverie leading to "I should see how it was possible to lead a grand life here -- now -- in England"
• 40-1 subverting(?) or altering anyway the marriage plot which puts marriage of main character at end; a genre signal: not classical comedy or romance

Theme tracking

Reading/writing

• 18 D offering to organize her uncle's papers and indirectly Casaubon's, like a secretary
  • i bet secretarial manuals would be a good source for practical information organization
• 23 contrast between Casaubon's reading notebooks and "the shallows of ladies'-school literature"
• 36 Casaubon "a little buried in books," but D sticks up for him

Materiality

• 8 interesting (and useful for me) that the gendered question of idealism vs materialism is pitched in Dorothea as between books and fabric

She could not reconcile the anxieties of a spiritual life involving eternal consequences, with a keen interest in guimp [fabric trimmings] and artificial protrusions of drapery.

• 20 Celia "notions and scruples were like spilt needles"
• 23 again this pattern of very tangible figures for the world of ideas: "he thinks a whole world of which my thought is but a poor twopenny mirror"

Shakespeare references

• 7 epigram to ch 1 from Beaumont and Fletcher, which she almost certainly knew from Dyce's eds
• 62 Chettam compared D to Desdemona (Othello) in having the "perversity... not [to have] affected a proposed match that was clearly suitable"