Difference between revisions of "Middlemarch (Eliot, 1872)"
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*8 interesting (and useful for me) that the gendered question of idealism vs materialism is pitched in Dorothea as between books and fabric | *8 interesting (and useful for me) that the gendered question of idealism vs materialism is pitched in Dorothea as between books and fabric | ||
She could not reconcile the anxieties of a spiritual life involving eternal consequences, with a keen interest in guimp [fabric trimmings] and artificial protrusions of drapery. | She could not reconcile the anxieties of a spiritual life involving eternal consequences, with a keen interest in guimp [fabric trimmings] and artificial protrusions of drapery. | ||
| + | *20 Celia "notions and scruples were like spilt needles" | ||
===Shakespeare references=== | ===Shakespeare references=== | ||
*7 epigram to ch 1 from Beaumont and Fletcher, which she almost certainly knew from Dyce's eds | *7 epigram to ch 1 from Beaumont and Fletcher, which she almost certainly knew from Dyce's eds | ||
Revision as of 14:28, 21 September 2017
General
- 9 Eliot tweaking lazy physiognomy description in saying that Celia looks more worldly-wise than D
Theme tracking
Reading/writing
- 18 D offering to organize her uncle's papers and indirectly Casaubon's, like a secretary
- i bet secretarial manuals would be a good source for practical information organization
Materiality
- 8 interesting (and useful for me) that the gendered question of idealism vs materialism is pitched in Dorothea as between books and fabric
She could not reconcile the anxieties of a spiritual life involving eternal consequences, with a keen interest in guimp [fabric trimmings] and artificial protrusions of drapery.
- 20 Celia "notions and scruples were like spilt needles"
Shakespeare references
- 7 epigram to ch 1 from Beaumont and Fletcher, which she almost certainly knew from Dyce's eds
