Difference between revisions of "Wuthering Heights (Emily Brontë, 1847)"

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(general notes)
(general notes)
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*288-9 Heathcliff opening Cathy's coffin
 
*288-9 Heathcliff opening Cathy's coffin
 
*299 "she's a beauty, true; but not an angel." Lockwood ref toNelly's unreliability , though I trust her more
 
*299 "she's a beauty, true; but not an angel." Lockwood ref toNelly's unreliability , though I trust her more
 +
*309 nelly says heathcliff has a "queer end"
  
 
==theme tracking==
 
==theme tracking==

Revision as of 15:01, 25 March 2017

general notes

  • 22-4 extraordinary passage with Lockwood reading Catherine's narrative in the book, then dreaming, then the ghost
  • 34-5 Mrs Dean gives somewhat convoluted genealogy
  • 37 heathcliff industrial surplus from Liverpool
  • 62 Lockwood and nelly dean talking about storytelling methods
    • Benjamin storytelling/novel
  • that and 63 metafictive
  • 70 metapgorizes heathcliff as looking like "bleak, Holly coal country"
  • 81 Catherine's dream that she doesn't belong in heaven
  • 82 physical bodies separate and delineate but souls (as C's and H's) can unify between them
  • 102 heathcliff no longer coal country but "an arid wilderness"
  • 120 lots of books in the Thrushcross Grange library never being opened by Edgar et al - very Price 2012
  • 122 Cathy's rambling an avian version of Ophelia's flowers - lists and insanity
  • 125 Cathy's monologue -- wonderful
  • lots of interesting stuff in ch xii of vol 1
  • 126 their souls are one
  • 136ff Isabella's long letter -- "Any relic of the dead is precious, if they were valued living."
  • 158 beginning vol 2 - brief metafictive framing of Nelly as narrator/storyteller (interesting that Lockwood chooses the former term)
    • also just enough to catch a reader up -- "I had heard all of my neighbor's history"
  • 161 he's my soul
  • 167 the former inhabitantS of cathy's body
  • 185 Catherine to L / Cathy to H, young Cathy to L / Catherine else: chiastic naming, intimacy
  • 224 letters between Catherine and linton almost a form of perversion
    • 226: "A fine bundle of trash you study in your leisure hours to be sure - Why, it's good enough to be printed!
  • 249 Hareton trying to read the sign above the gate - the spectrum of not reading in this novel, or partial/inadequate reading
  • 254 linton's "distorted nature" never to be at ease or let others be -- Heathcliff's physical distortion inherited as mental
  • 266 now Catherine compared to the landscape more positively than heathcliff
  • 288-9 Heathcliff opening Cathy's coffin
  • 299 "she's a beauty, true; but not an angel." Lockwood ref toNelly's unreliability , though I trust her more
  • 309 nelly says heathcliff has a "queer end"

theme tracking

reading:/writing

materiality

physicality

Shakespeare allusions

  • 6: Twelfth Night - Lockwood recounting failed courting says he "never told my love"
  • 17 Lear - Lockwood when trying to escape WH utrers "several incoherent threats of retaliation that, in their indefinite depth of virulence, smacked of king Lear utters"
  • beginning of ch 4 "what vain westhercocks we are" - Love's Labours Lost "what Caine? What weathercock" is.1.94