Difference between revisions of "Armadale (Collins, 1866)"

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(Created page with "*155-169 "Lurking Mischief" chapter uses the technology of the penny post (from 1839 according to sutherland) to keep the plotting between Lydia and Mrs Oldershaw moving fast...")
 
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*169-70 description of Thorpe-Ambrose as specifically unromantic and not at all gothic (modern, in fact) - AA thinks it will calm Midwinter's nerves
 
*169-70 description of Thorpe-Ambrose as specifically unromantic and not at all gothic (modern, in fact) - AA thinks it will calm Midwinter's nerves
 
* 169 he mentions midwinter writing to Brock - the narrative interplay between fragments (letters) and diegesis
 
* 169 he mentions midwinter writing to Brock - the narrative interplay between fragments (letters) and diegesis
 +
*178 Maj Milroy talks about the risks of advertising for a governess -- the other end of the problem of [[Jane Eyre (1848)]] advertising

Revision as of 12:06, 5 December 2017

  • 155-169 "Lurking Mischief" chapter uses the technology of the penny post (from 1839 according to sutherland) to keep the plotting between Lydia and Mrs Oldershaw moving fast
  • 169-70 description of Thorpe-Ambrose as specifically unromantic and not at all gothic (modern, in fact) - AA thinks it will calm Midwinter's nerves
  • 169 he mentions midwinter writing to Brock - the narrative interplay between fragments (letters) and diegesis
  • 178 Maj Milroy talks about the risks of advertising for a governess -- the other end of the problem of Jane Eyre (1848) advertising