Difference between revisions of "The Woodlanders (Thomas Hardy, 1887)"

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(General Notes)
(General Notes)
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*142 parental pressure on Grace to accept fitzpiers
 
*142 parental pressure on Grace to accept fitzpiers
 
*149 "retrospective criticism" of Grace's origins if Fitzpiers purchases a practice in another towb
 
*149 "retrospective criticism" of Grace's origins if Fitzpiers purchases a practice in another towb
 +
*what would a contemporary audience have made of Fitzpiers' irreverent view of marriage? Would they have felt unsettled as Grace does on the next page?
  
 
==Theme Tracking==
 
==Theme Tracking==

Revision as of 12:03, 19 April 2017

General Notes

  • it seems like we come sideways into the main narrative: the central individuals are less important than community and landscape
    • 5 pastoral solitude contrasted with communal awareness
  • 14 "lifehold" lease on property - perhaps a lower class version of the life interest in property of the wealthy?
  • 70ff Winterbourne's Christmas party - the way class difference is externally set in the yeoman farmer class, Grace had to go away to make itreally apprent
  • 115 the frisson of Grace and Fitzpiers' first encounter
  • 120 Grace is socially beneath Fitzpiers
  • 123 "The secret of happiness lay in limiting the aspirations"
  • 134-5 some pretty freely represented casual sex between Suke and Fitzpiers
  • 142 parental pressure on Grace to accept fitzpiers
  • 149 "retrospective criticism" of Grace's origins if Fitzpiers purchases a practice in another towb
  • what would a contemporary audience have made of Fitzpiers' irreverent view of marriage? Would they have felt unsettled as Grace does on the next page?

Theme Tracking

Reading and Writing

Materiality

Shakespeare references

  • 10 "The palm [Marty's] was red and blistering, as if her present occupation were as yet too recent to have subdued it to what it worked in." Sonnet 111, "the dyer's hand"
  • 26!"...a soul's specific gravity constantly reasserts itself as less than that of the sea of troubles into which it is thrown." About Melbury - Hamlet "to be" soliloquy, as the note suggests a very specific, labored yoking of literary imagery to scientific language about relative density