Difference between revisions of "The Mill on the Floss (1860)"
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+ | Eliot, George. ''The Mill on the Floss''. Pub. 1860. Ed. Gordon Haight and Juliette Atkinson. Oxford: World Classics, 2015. | ||
+ | |||
+ | ==General Notes== | ||
* Set 1820s -- post napoleonic but pre 1832 reform act | * Set 1820s -- post napoleonic but pre 1832 reform act | ||
* 10: figurative language is puzzling | * 10: figurative language is puzzling | ||
Line 31: | Line 34: | ||
* 382 renunciation again | * 382 renunciation again | ||
* 442 Maggie reckoning with Stephen | * 442 Maggie reckoning with Stephen | ||
+ | |||
+ | ---- | ||
+ | ==Theme tracking== | ||
+ | ===Tulliver and "puzzling" language (& other interesting uses of figurative/imaginative language)=== | ||
+ | ===environment=== | ||
+ | ===reading/writing=== | ||
+ | ===femininity=== | ||
+ | ===materiality=== | ||
+ | ===narratorial intervention=== | ||
+ | ===labor/industrial spaces/economics=== | ||
+ | ===evolution/inheritance/Darwinian=== |
Revision as of 18:11, 5 February 2017
Eliot, George. The Mill on the Floss. Pub. 1860. Ed. Gordon Haight and Juliette Atkinson. Oxford: World Classics, 2015.
Contents
General Notes
- Set 1820s -- post napoleonic but pre 1832 reform act
- 10: figurative language is puzzling
- 12, 19, 30, 42, 80 descent/inheritance of traits
* 37, 44, 82 speciation * 53 Gradations in civilization * 54 kin vs others * 57 Breeding/mixing blood * 68 deformity in the person of Philip Wakem * Persistent comparison of the children to animals of course because Darwin had broken down that barrier * Eliot read Origin while writing this
- 13 foreshadowing
- 15, 328 hotspur Shakespeare
* 357 Sir Andrew * 464 pocket Shakespeare
- 17-18 reading Defoe
- 24 metafictional/generic
- 27: Maggie's fetish
- 32 unmodifiable characters
- 37 dignified alienation, species
- 51-2 the Dodsons' retrograde gentility in the person of mrs Glegg
- 53 how heavily they expect Tulliver to fail by discussing what would happen to Glwgg's money
- 66 historical difference in religiosity
- 106 the gypsy adventure is through Maggie's psychological geography as well
- 160 metafictive
- 252 again metafictive, obscure vitality, sordid, prosaic --> realism
- Worldliness without side-dishes reminds me of bronte's lentils in Shirley
- 253 there is nothing petty to the mind that has a large vision of relations
- 267 thomas a kempis
- 280 quite wise
- 371 character is destiny - novalis (but later hardy in Mayor too)
- 382 renunciation again
- 442 Maggie reckoning with Stephen