Revision as of 18:25, 19 February 2018

Defense of Guenevere

• pub in volume The Defence of Guevevere and other Poems (1858) and then in Kelmscott edition (1892)
• intertext with Malory’s Morte D’Arthur
• interlocking pentameter tercets
  • the Kelmscott lineation and typographic spacing deliberately obscure the clear tercet structure, emphasizing links across prosodic line
• starts in medias res diagetically after Gauwaine’s accusation but also in media terms in conversation with Malory and the body of Arthurian literature (cf Cowan 2015 on mediation and translation)
  • with Christmas setting also Sir Gawain and the Green Knight (ln 62)
• 75-6 "let the clock tick, tick, / To my unhappy pulse, that beat right through / my eager body"
• elaborate nature simile 93-103 again classical feeling or medieval
• 136-8 erotic charge within bounded imagery
• 165 "So, ever must I dress me to the fight”: adopting masculine language to continue persuading Gauwaine after mentioning his mother, who died because accused of infidelity
  • again a masculine simile in 288-90
• 244-58 the containment of her gender roles ("For no man cares now to know why I sigh"), she cannot ask a man to speak to her in her room without suspicion.
  • reminiscent of the more claustrophobic containment in "Mariana"
• 295 and ends in medias res with Launcelot coming