Difference between revisions of "Armadale (Collins, 1866)"
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*178 Maj Milroy talks about the risks of advertising for a governess -- the other end of the problem of [[Jane Eyre (1848)]] advertising | *178 Maj Milroy talks about the risks of advertising for a governess -- the other end of the problem of [[Jane Eyre (1848)]] advertising | ||
*183 the respectable middle class library: Waverly, Maria Edgeworth, [[Felicia Hemans]] | *183 the respectable middle class library: Waverly, Maria Edgeworth, [[Felicia Hemans]] | ||
| + | *190 the town's sniffiness about Armadale's arrival is at least in part one between time scheme's: Allen's busy penny post modernity vs the formal slowness of town life welcoming the squire as of old | ||
Revision as of 19:02, 5 December 2017
- 155-169 "Lurking Mischief" chapter uses the technology of the penny post (from 1839 according to sutherland) to keep the plotting between Lydia and Mrs Oldershaw moving fast
- 169-70 description of Thorpe-Ambrose as specifically unromantic and not at all gothic (modern, in fact) - AA thinks it will calm Midwinter's nerves
- 169 he mentions midwinter writing to Brock - the narrative interplay between fragments (letters) and diegesis
- 178 Maj Milroy talks about the risks of advertising for a governess -- the other end of the problem of Jane Eyre (1848) advertising
- 183 the respectable middle class library: Waverly, Maria Edgeworth, Felicia Hemans
- 190 the town's sniffiness about Armadale's arrival is at least in part one between time scheme's: Allen's busy penny post modernity vs the formal slowness of town life welcoming the squire as of old
