Difference between revisions of "Matthew Arnold"

From Commonplace Book
Jump to: navigation, search
(Created page with "==Dover Beach== * the most impt thing, as Charles would say, is that "the sea of faith" is still pretty full in the 1850s: so in a way this isn't so much a genuine poem of rel...")
 
(Dover Beach)
Line 1: Line 1:
 
==Dover Beach==
 
==Dover Beach==
* the most impt thing, as Charles would say, is that "the sea of faith" is still pretty full in the 1850s: so in a way this isn't so much a genuine poem of religious pessimism as a lyric utterance of the position of religious pessimism
+
* the most impt thing, as Charles would say, is that "the sea of faith" is still pretty full in the 1850s: so in a way this isn't so much a genuine poem of religious pessimism as a lyric utterance of the position of religious pessimism (or it is that but it's also an examination of the position)
 
* first stanza is 14 lines, like a tangled sonnet
 
* first stanza is 14 lines, like a tangled sonnet
 
* strong caesuras moving around in the line in first stanza a rhythmic effect, then in 33-4 it switches so that pauses are less rhythmic than accumulative/enumerative
 
* strong caesuras moving around in the line in first stanza a rhythmic effect, then in 33-4 it switches so that pauses are less rhythmic than accumulative/enumerative
Line 7: Line 7:
 
* "the moon-blanched land": its light is as alien, it feels like, as the speaker's vision
 
* "the moon-blanched land": its light is as alien, it feels like, as the speaker's vision
 
* "so new": again, as [[Armstrong 1993]], the self-consciousness/anxiety about modernity
 
* "so new": again, as [[Armstrong 1993]], the self-consciousness/anxiety about modernity
 +
 
==Empedocles on Etna==
 
==Empedocles on Etna==
  
 
==The Scholar-Gipsy==
 
==The Scholar-Gipsy==

Revision as of 11:50, 14 October 2017

Dover Beach

  • the most impt thing, as Charles would say, is that "the sea of faith" is still pretty full in the 1850s: so in a way this isn't so much a genuine poem of religious pessimism as a lyric utterance of the position of religious pessimism (or it is that but it's also an examination of the position)
  • first stanza is 14 lines, like a tangled sonnet
  • strong caesuras moving around in the line in first stanza a rhythmic effect, then in 33-4 it switches so that pauses are less rhythmic than accumulative/enumerative
  • "roar" repeated: of the sea but also embodied, chagrined, and repressed or muffled, like the "ignorant armies clash[ing] by night"
  • second stanza: Sophocles and the speaker finding "also in the sound a thought" - empty natural phenomena that the lyric subject fills with a content, dramatizing the struggle of that
  • "the moon-blanched land": its light is as alien, it feels like, as the speaker's vision
  • "so new": again, as Armstrong 1993, the self-consciousness/anxiety about modernity

Empedocles on Etna

The Scholar-Gipsy