Difference between revisions of "Our Mutual Friend (Dickens, 1865)"

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(Seminar Notes 5/16 (Jesse Taylor))
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===Shakespeare References===
 
===Shakespeare References===
  
==Seminar Notes 5/16 (Jesse Taylor)==
+
==Seminar Notes 5/16 (Taylor Anthroposcene)==
 +
* Tension between particulars and overarching geography
 +
*Pairings with [[Bleak House (1853)|Bleak House]]
 +
**system novels: large scale entities (Dombey too) - in this case, the economy
 +
*Central character is London
 +
**large scale corresponds with our focus on large scale human agency and the apprehension of one character (or one reader)
 +
** moving away from focus on human characters
 +
***divide btwn human, animal, and object troubled [cf. [[Taylor 2016]] for more]
 +
*the trauma of Staplehurst train accident as he was writing OMF: extratextual crisis reverberating in the novel
 +
**'''which number?'''
 +
*"In these times of ours"
 +
**written during the Thames embankment (pre embankment setting - the waterfront culture of the Hexams destroyed)
 +
**also in the anthroposcene
 +
**jump from East London slum to West End Veneerings
 +
***Veneerings part of new economy of finance

Revision as of 11:32, 13 July 2017

Dickens, Charles. Our Mutual Friend. Pub. 1865. Ed. Adrian Poole. Penguin: World's Classics, 1997. Print.

Overall

General

Theme Tracking

Reading/Writing

Materiality

Shakespeare References

Seminar Notes 5/16 (Taylor Anthroposcene)

  • Tension between particulars and overarching geography
  • Pairings with Bleak House
    • system novels: large scale entities (Dombey too) - in this case, the economy
  • Central character is London
    • large scale corresponds with our focus on large scale human agency and the apprehension of one character (or one reader)
    • moving away from focus on human characters
      • divide btwn human, animal, and object troubled [cf. Taylor 2016 for more]
  • the trauma of Staplehurst train accident as he was writing OMF: extratextual crisis reverberating in the novel
    • which number?
  • "In these times of ours"
    • written during the Thames embankment (pre embankment setting - the waterfront culture of the Hexams destroyed)
    • also in the anthroposcene
    • jump from East London slum to West End Veneerings
      • Veneerings part of new economy of finance