Difference between revisions of "Jude the Obscure (Hardy, 1895)"
From Commonplace Book
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*23ff the Greek and Latin grammars Jude so desperately wants | *23ff the Greek and Latin grammars Jude so desperately wants | ||
*ch I.5 has some interesting passages about Jude's reading | *ch I.5 has some interesting passages about Jude's reading | ||
| + | *and ch. 7 on the inverse relationship between Jude's scholarly interests and his attraction to Arabella. All too familiar. | ||
===Materiality=== | ===Materiality=== | ||
*6 the overlapping of historical periods and faiths in the material appearance of the churchyard - it's inclusion in the scene with young Jude and Phillotson reminiscent of the scene situating the aunt and uncle's parlor in deep history in Mill on the Floss | *6 the overlapping of historical periods and faiths in the material appearance of the churchyard - it's inclusion in the scene with young Jude and Phillotson reminiscent of the scene situating the aunt and uncle's parlor in deep history in Mill on the Floss | ||
Revision as of 16:34, 5 July 2017
General
- 9 again deep time and history in the landscape obscured by agriculture partly - also narratorial distance, the reflection on deep time is for the narrator "but this neither Jude nor the rooms around him considered"
- 56
And so, standing before the aforesaid officiator, the two swore that at every other time of their lives till death took them, they would assuredly believe, feel, and desire precisely as they had believed, felt, and desired during the preceding weeks. What was as remarkable as the undertaking itself was the fact that nobody seemed at all surprised at what they swore.
Theme tracking
Reading/Writing
- 23ff the Greek and Latin grammars Jude so desperately wants
- ch I.5 has some interesting passages about Jude's reading
- and ch. 7 on the inverse relationship between Jude's scholarly interests and his attraction to Arabella. All too familiar.
Materiality
- 6 the overlapping of historical periods and faiths in the material appearance of the churchyard - it's inclusion in the scene with young Jude and Phillotson reminiscent of the scene situating the aunt and uncle's parlor in deep history in Mill on the Floss
